‘Electric situation’ team, how did the impossible robots created the world

The new Netflix film describes a world full of robots “Electricity” – but not robots as we know them.

Brothers by Anthony and Joe Russo (previously two avenger’s clamps, “Infertility” and “Infinity”) A $ 320 million budgetThe “Electricity State” occurs in an alternative version of the 1990s, one occurs where September robots are available in decades. It should be entered into an area, long enough to rebel against human masters, lose war and exiling the southwest, and their heroes (playing by Millie Bobby Brown and Chris Pratt).

Very important for visual effects

“Most of us have seen modern robots … and we are accustomed to these designs,” he said. “If you look at the Boston Dynamicica robots, it is less and less massive in the center of the robot, and then it is less massive, because it is just a defenseless design.”

In contrast, the film’s robot Cosmo was described as “a huge head on a small neck”, “the worst design for a robot”.

Like the film itself, this design was built on the novel description of Simon Stålenhag’s same name. However, Uşak explained that an explanation in the film for Cosmo and the other Tirnic robots taken from real and imagined pop culture, so it all seems “cutesy and fun and fun.”

Butler team meant that his team had to start a design that was so impossible, but eventually created something that felt “physically convincingly and real.” He said that to do this, they decided to honor Cosmon’s design “in silhouette fashion”.

“If you ferment and do it away from the camera, he looks like a koca, it is the way in the book,” he said. “But you are approaching and you are investigating a shoulder, you can see that there are sticks that push and see the engines, you can see the same cycle with planks and legs.”

The goal is to convince the audience to “the fact that things can really work.” After sure, they will adopt Cosmon’s design and other robots, without seeing all the details.

Yes, there are many other robots. Usak, hundreds of hundreds of and hundreds of unique robots “, this alternative was not because every robot in the world is a kind of” in the film, we usually demonstrate people. “

Unfortunately there were no shortcuts.

“We scratched our head many times -” How the hell is we doing? “” He said. “If you have 100 different robots and if you have moved, it means you should be able to move them, so someone should paint them, someone should revive them.”

To bring out these robots, Uşak said that the team used the traditional optical combination act And a newer system that uses accelerometer-based suits. With the performance and set permitted to accommodate a troupe of seven-moving performers, the key to animated robots, giant, giant or palm hand in the palm of the hand.

Butler stressed that the process is more complicated than to transfer the movements of an actor to a robot trunk.

“Take a small Herman as an example,” he said. “You have a performer (action seizure), and he added his performance, his performance, and Chris Pratt can now move now. Then, ‘Well, the real robot can do so much that this guy can do.’ So now you need to change it in accordance with the restrictions of the robot’s design. “

And this isn’t over yet, then you talk to directors and now have a certain change of features you need to respect, so you have incredible sound actors who need to change so much and now it’s like this)

Butler said that all the artists and performers who came together on the screen, all the artists and performers who came together, and therefore just rolled our arms and came to us. “